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kelticspacechurch

by Dancing Mice

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1.
Manipulating symbols Trying not to lose the strands His head is full of abstract concepts No-one understands Sometimes when he's thinking He wants no-one else around The irony's that no-one out there Cares what he has found Reconstructing nature Building castles in the air Other people's crass remarks Are just too much to bear Modelling the world He finds he needs to be alone Inclination, circumstances Leave him on his own Tries to share his world With someone else who thinks like him Builds a prison for her And then tries to lock her in Devotion to his work Means that she's always at his side He feels betrayed and angry When she mentions life outside
2.
Standing at the shelter With her fingernails all chipped and red Asks if he can help her He'd like to take her home he said She turned around and then and there Thinks that they could go somewhere Wonders what she's in for As she waves goodnight and cries in bed Showing off his children His first wife left him long before Wishes she had told him She was jealous and she wanted more She'll bide her time and make him see She wants him exclusively So his little burden Was the first one to be shown the door He was always helpful Doing jobs around the house She was always cheerful His loving, loyal dancing mouse To the world outside it seemed They were living love's young dream He would like to see her Entertaining other men Never going near her Jealous but excited when She told him only he could find What she wanted, never mind She would make it clear She would never sin again Picking up a plaything Giving lifts to lonely girls Never saying anything That gave away their secret world Use them up and drink them dry Close the lid and watch them die He could do the hiding Secrets kept behind the wall Living life without him Since he opted to curtail the game Reminders all around them That fun would never be the same At last she found that she could cry Because he never said goodbye
3.
Drinks long, drinks soft, drinks in colour Conducting Britannia for pleasure No bargaining here in a foreign trade A normal ending, stop at your leisure Influential on the island Have confidence in yourself Don't sink into a torpor We are offering help Can't reduce the heat, can't face the issue On the face of it our hands are tied Inspiration, ideas are coming We can't help but meet your every demand Trees are burning, shaking off water In the cool of the day Your visit is over, do come again Devices and camera crews Land balance, literary structure Congratulations are due Have you heard from us already We weren't aware of you No bargaining here, move on all fronts There cannot but be disruption An expansion, increase on your baseline For a time we thought you were burning Why free yourself from the fire You are young and in love We won't take you into the service Unless we guarantee your release Land balance, literary structure...
4.
Awkward baby and awkward face Never accepted and never placed No-one anywhere feels the same Fill your playground with private games Knock on hearts and run away Can't decide what you feel today Giving away what you want to hide Can't find words for what's inside The temple's heavy and weighs you down Ease the pressure without a sound Losing innocence and feeling light Sacrifice and get the image right Parcel living that can't stay whole Give up people to keep control Makes the effort but won't stay long Keep your anger till it gets too strong Voices in the garden A stranger in the park Your daddy's girl no longer And you're crippled in the dark Babies turn to children And before you know Your little girl's a woman And you have to let her go Mixing passions resenting ties Indulge in everything you despise Ask for nothing and give the world Wanted the woman but got the girl Awkward baby and awkward face Never accepted and never placed No-one anywhere feels the same Fill your playground with private games Voices in the garden...
5.
The g Factor 03:13
Lives to think and the living's fine Pointless puzzles taking endless time Elysian fields on a Summer day Hard to tell between work and play Finding answers for the human mind Reading everything that he can find He bites the apple and he's in the know Pain and anger as he starts to grow Losing innocence and seeing light He stops his reading and he starts to write Dresses up what he wants to say He wants to be noticed and he gets his way Suddenly everyone wants to hear Squalor and decadence and modern fear They take his apple and they're in the know Decline politely the chance to grow Carrying torches for a hopeless cause He isn't the fool they said he was Stoking fires to inflame the row He doesn't want to shelter now Standing back to admire the scene Happy as the deckhands scream Fear and laughing are the only sounds Cheering as the ship goes down
6.
Out of luck and out of money Living from day to day Life was empty, no-one with me Skies and prospects were grey Then we met and we could see that We were more than good friends Ever since then I've been happy And I hope it won't end It's not like me to sing about love But that's all that I'm thinking of When you're away I fear the worst That one day soon this bubble bursts When I see you I can't help it It's that look in your eyes When you see me you look happy I can't hide my surprise People tell me that you're playing People say you're leading me on But I can't hear what they're saying I won't imagine you gone It's not like me to sing about love...
7.
Dungeness 03:41
Boys in cars, men in bars Women and their ways Have no appeal for you Excitement's with your kind Who cares if others mind Your final statement's blue Romantic, classic ideal Artists and their ways Make excitement grow Paint the background red Erect and off to bed Like Carravaggio Gardening at the edge Waiting to grow Life emerges new The brightness of the sky Refreshes as you die Your explanation's blue Celebrate, lie in state Venus let you go But Mars and David see That love and art remain When heaven draws the pain Here's to your Jubilee Celebrate, lie in state Venus let you go But mum and dad can see Their little boy remains When heaven draws the pain And wait for Jubilee
8.
Revolver in his pocket Cup of coffee in his hand He picks up conversations That he doesn't understand He makes some notes and looks at them And sighs and looks again There's nothing there but how's your mum They say it looks like rain He stays behind the curtain Watching people come and go His finger's on the shutter But his target doesn't show He passes on inarticulate notes And knocks off for the day Buys an Evening Standard And goes home on the train Welcome to the world of espionage Intelligence and MI5 Looking for Harry Palmer Waiting for a spy Welcome to the game of invisible ink Assumed names and secret codes Looking for Harry Palmer Everywhere we go Looking out for queen and country No-one will ever know Killing enemies with finesse And the minimum of show He says he's just a civil servant And his pension is his aim With a liking for the unexpected And no two days the same Welcome to the world of espionage...
9.
United families in Northern towns Living on thin ice, skating around Walking away from obvious grace Satisfied and ready to do without face Platforms and stages going to ruin Shoes and overcoats, ill-fitting, overworn On the mainland of this great nation Professional beggars can't do without more Attempts to economise alleviate a little Everyday worries and luxuries they can't afford Absolute misery, relative ease Statistical minorities can't do without more And can't understand Agents of caring intervene at random Helping and hoping but altering less Liberal principles, middle class guilt Is salved for a return to habitual dreams Recurring working class dreams Tables set with glasses preserve an appearance Ineffectual barriers to low self-esteem Swearing, shouting, literary discourse Effective language for low level lies
10.
Dread River 08:15

credits

released September 10, 1998

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Dancing Mice Edinburgh, UK

Dancing Mice - indieprog/electropop - nine albums. Melodic, quirky songs mainly about people: some famous, some obscure, and some others.

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